
Video Strategy
Video production budgets and schedules
Plan a business video budget and schedule around deliverables, internal effort, approvals, dependencies and changes.
Start the budget with the finished assets you need and the work required to deliver them. Build the schedule backwards from the date those assets must be ready. Add a cut, a filming location or a reviewer, and update both plans.
Define the finish line
Write a brief that names the audience, the question the video answers and where it will appear. List every deliverable: the main video, shorter cuts, captions, transcript, graphics, thumbnails and required export formats. Specify what counts as an approved final file. “One video” is too vague to estimate consistently.
Separate essential assets from options. A short version for another placement may need its own edit and review, even when it uses the same footage. Estimate optional assets separately and give them decision dates so the core video can proceed.
Plan accessibility work early. Captions, a transcript and a description of essential visual information serve different needs. What the project requires depends on the finished video and where it will be published.
The W3C Web Accessibility Initiative advises planning accessibility from the start. If essential visual information must be described in the audio, write that description into the script before filming.
Match the accessibility assets to the audience and the video content. Captions convey speech and relevant non-speech audio, while a transcript provides text for both; a descriptive transcript also describes visual information. Consider sign language where the audience needs it, and choose a media player that supports accessibility.
Essential vs Optional Video Assets
- Essential Assets
- Main video, captions, transcript, approved final file format
- Optional Assets
- Shorter cuts, alternate thumbnails, sign language, descriptive transcript
Build a budget that shows the work
| Stage | Costs or time to account for | Scope question |
|---|---|---|
| Preparation | Brief, script, approvals, location and participant coordination | Who supplies and approves the facts and assets? |
| Capture | Crew or staff time, equipment, location, travel and any extra filming window | What must be filmed, and what happens if access changes? |
| Post-production | Footage handling, editing, graphics, sound, accessibility assets and exports | Which finished files are included? |
| Review and handover | Reviewer time, revisions, final checks and file delivery | Who reviews each version, and who signs off? |
For an internal shoot, include the time employees spend preparing, filming, editing and reviewing. For an external quote, check its inclusions, exclusions, dates and GST treatment where applicable. Show cash costs and internal effort as separate figures.
Add a labelled allowance for uncertainties you cannot yet resolve, such as a weather-dependent exterior or an interview that may need rescheduling. Set the allowance for the project rather than applying a universal percentage. Record what it may cover and who can authorise its use.
Video Production Cost Considerations
- Internal staff time (preparation, filming, editing)
- Include in budget as non-cash effort
- External supplier costs
- Itemised with GST treatment and ABN details
- Uncertainty allowance
- Project-specific, not a fixed percentage
- Accessibility asset creation
- Captions, transcript, description, sign language
- Revisions and approvals
- Time and effort tracked separately
Make quote terms actionable
For a supplier quote, business.gov.au recommends a written description of the work, itemised and total costs, and clear terms. Include the business name and ABN, contact details for both parties, any discussed variations or revisions, payment terms and method, work start and finish dates, a quote expiry date, and space for the customer’s acceptance.
A quote accepted by the customer becomes a legally binding contract, according to business.gov.au. Before accepting, check that its scope and terms match the project plan, particularly the agreed work, dates, revision arrangements and payment conditions.
Put decisions before bookings
A schedule should show dependencies, not just shoot and delivery dates. Work backwards from the date the approved video must be available:
- Allow time for final export, accessibility-asset checks, handover and upload.
- Reserve an edit window for agreed changes after review.
- Set dates for the first cut and a consolidated response.
- Book filming once the required people, location, claims and visual needs are sufficiently settled.
- Approve facts and script points before work that would be costly to repeat.
This is a planning sequence, not a standard production duration. A staff interview and a multi-location video need different windows. Put an owner beside each decision. A feedback milestone also needs a due date and a plan for late responses.
Separate production time from waiting time. The editor needs time to make a change; reviewers need time to assess it. Record both and allow room for foreseeable delays.
Treat approval dates as dependencies for downstream work. If a decision is overdue, work out which next task or booking it affects, then revise the delivery forecast instead of assuming the original sequence still holds.
Control changes while work is underway
Keep one current list of deliverables and assumptions. For each new request, ask whether it changes the message, footage, format, deadline or review effort. A corrected name may be a small edit; a new product demonstration may need another shoot. Have the person doing the work assess the effect before agreeing to the change.
If a supplier is involved, make the quote and agreement clear about the work, costs, dates, revisions and what counts as completion. Agree how changed requests will be priced and scheduled. Internally, assign any extra time rather than leaving it out of the plan.
At each milestone, record the approved deliverables, current estimate, next decision, decision owner and deadline risk. That gives the team time to adjust scope, date or resources.
Close against the brief
Check delivered files against the agreed list and the original viewer question. Confirm that captions and other required text assets match the final edit. Record where the files are kept and who will review them if the underlying information changes.
Keep the accepted quote or agreement with the final approval record. That makes it easier to check that the delivered work and any authorised variations match the agreed scope and terms.
In this guide
- Comparing a small in-house shoot with outsourced productionCompare internal and outsourced video production using the same brief, full resource estimate, deliverables and delivery constraints.
- Building a video budget around actual deliverablesCreate a deliverable register, trace each video asset to its work and keep additions visible in the budget.
- Scheduling feedback without delaying the editSet purposeful review windows, consolidate video comments and give editors clear decisions before the next cut.


